Friday, May 28, 2010

MTV: "Scream 4" Cast, "American Idol" & More



I worked on several stories for MTV yesterday. First and foremost, I reported on some "Scream 4" casting news; Gemma Arterton (who will always be Bond girl Straberry Fields to me) and her action-oriented role choices; the news that "American Idol" runner-up Crystal Bowersox broke up with her boyfriend the morning of the finale where she lost to Lee DeWyze and finally, the fact that the "American Idol" finale suffered its worst ratings since the very first season in 2002.

Friday, May 21, 2010

Rotten Tomatoes Show On Current: My On-Air Review of "Surival of the Dead"


I can't believe I went on TV and slammed George Romero. It's too bad he left me with no other reasonable alternative when he decided to make yet another awful sequel.

Tuesday, May 18, 2010

MTV: Jake Gyllenhaal

Here is a little bit from my red carpet interview with Jake Gyllenhaal last night.

MTV: Ronnie James Dio


I wrote the obituaries for June Carter Cash and Dimebag Darrell Abbott and writing the obituary for Ronnie James Dio, one of the greatest voices in rock music, wasn't any easier.

You can read my MTV News story RIGHT HERE. In followup pieces, I've gotten reactions from members of Slipknot, Slayer, Anthrax, As I Lay Dying and Fireball Ministry which you can read RIGHT HERE as well as statements from Rob Zombie and members of Killswitch Engage, Mastodon and Fear Factory, which you can read RIGHT HERE.

The first concert I ever attended without a parent was DIO & Megadeth at Market Square Arena in Indianapolis, Indiana in February, 1988. This is a truly sad time for metal fans worldwide. God bless you, Ronnie.

Sunday, May 16, 2010

"Iron Man 2" & "Harry Brown" for The Rotten Tomatoes Show


I participated in the on-air reviews of "Iron Man 2" and "Harry Brown" which you can watch HERE and HERE.

Thursday, May 06, 2010

Movie Review: "Harry Brown"


HARRY BROWN
Directed by: Daniel Barber
Starring: Michael Caine, Emily Mortimer
3 Stars


"Harry Brown" is basically the British "Gran Torino," without the laughs.

In this familiar but strong revenge tale, Michael Caine is the widower in a neighborhood that's gone to hell. "Harry Brown" is a grim movie with a hero more vulnerable but no less badass than Clint Eastwood's "Gran Torino" antihero.

"Dirty Harry" and "The Unforgiven" are two other Eastwood pictures that come to mind. But Eastwood isn't in front of the camera, nor behind it. "Harry Brown" is directed by Daniel Barber, whose bleak depiction of life in the projects of London occasionally employs jittery camera phone footage to surprisingly striking effect.

A reserved and quiet man, Harry Brown is living out the twilight of his life in a plain apartment where he used to play chess with his late wife (adding to the pathos, the pair lost a young child back in the '70s), occasionally dropping by the local pub to sip a pint with another old pensioner, Leonard Atwell (played by David Bradley).

Brown does his best to ignore the rampant violence of the neighborhood thugs. And boy, is it ever violent. The movie goes to great lengths to make us hate the drug dealers, pimps and gang members who populate the housing project. It's a bit reminiscent of "The Crow" insomuch as you can sense each villain is being introduced so viciously only to ensure the audience will revel in their eventual destruction by the hero.

After the harmless and defenseless Leonard Atwell is murdered, Caine unlocks his long buried military training to exact vigilante vengeance. The movie never tells us what, exactly, Harry Brown got up to as a Royal Marine, but it doesn't have to. When we see him kidnap then interrogate someone with a rubber hose, we know enough.

Emily Mortimer is saddled with a cliche ridden role as a the only cop who figures it out, the cop who gets reassigned from the case by her mean old boss, the cop whose partner doesn't respect her. She puts in a serviceable performance, but "Harry Brown" is indisputably the Michael Caine show.

Caine has been in so many movies that his IMDB page looks like the Dead Sea Scrolls. He brings such incredible presence, such deep soulfulness and such working class but refined dignity to this role that his performance fills in a few blanks on the page.

Barber is as skilled directing Caine and Emily Mortimer sipping tea in his flat as he is orchestrating a violent riot. And he's at his best when sticking to the movie's central theme. "This isn't Northern Ireland, Harry," Mortimer says to Caine at one point. He readily agrees. Those people were fighting for a cause. "To them out there, this is just entertainment."

"Harry Brown" stumbles a bit when it tries to address class issues. The under-privileged in this movie are conniving, remorseless, angry, unpredictable animals. So when we see them rioting against the police, it isn't clear what the movie is trying to say. Otherwise, "Harry Brown" is strong as a revenge thriller where we get to see awful people destroyed by someone good we've come to like a great deal.

Many folks will understandably recoil at the brutal violence depicted in "Harry Brown" and they would do best to avoid it. But if you have a soft-spot for movies like "Death Wish," as I do, this movie will get the job done for you.

In other words, "Harry Brown" just might make your day.

Movie Review: "Iron Man 2"


IRON MAN 2
Directed by: Jon Favreau
Starring: Robert Downey Jr., Gwyneth Paltrow, Mickey Rourke, Don Cheadle, Sam Rockwell, Scarlett Johansson, Jon Favreau, Samuel L. Jackson, Clark Gregg
2.5 Stars


"Iron Man 2" is about Tony Stark overcompensating for the fact that he's secretly dying. It's also about Whiplash seeking revenge on the Stark empire. And Stark's best friend becoming War Machine. And the US government wanting the Iron Man technology. And Justin Hammer's company going to war against Tony Stark's company. And Stark's secretary becoming CEO while inching toward a romantic relationship with him. And SHIELD trying to recruit Iron Man for The Avengers. And Black Widow infiltrating Stark Industries. And SHIELD tracking a mystery happening in New Mexico. And Stark's relationship with his late father, who apparently was Walt Disney.

Tired yet? Yeah, I don't know what the hell "Iron Man 2" is really about, either.

Overall this sequel is a muddled, pointless, incoherent mess, ensuring that while more watchable than something like say, "Batman & Robin," it doesn't hold up to the infinitely better "The Dark Knight," "X2: X-Men United" or "Superman II," the superhero sequels by which all other superhero sequels should rightly be measured.

Which isn't to say "Iron Man 2" doesn't have a few things going for it, like some really cool action sequences: Whiplash's first tussle with Iron Man, at the Grand Prix, is pretty killer, 'though the audience is only sort of vaguely aware of what's motivating everyone (and likely saw it already in the trailer). Black Widow dispenses with some thugs in a scene very reminiscent of "X2," 'though it's not really clear what her role is in all of the events nor why she can only do battle in a catsuit.

Iron Man vs. War Machine is cool (and even fun!), although we have no idea why these two best friends are going at it this hard. It sort of just happens. I suppose it's kind of an intervention (hints of Stark's alcoholism! Hurray!) on the Don Cheadle character's part, but who knows? Director / co-star Jon Favreau throws in an "inside-the-mask" POV throughout the movie that helps sync the CGI heroes and the performers, which is nice.

Other than these action sequences (which are surprisingly few and far between for a summer blockbuster), this superhero sequel coasts along on the strength of an incredible cast of performers, all equally adept at drama and comedy (particularly Downey - no relation, Rourke, scene-stealer Rockwell and Paltrow), the goodwill audiences have for the first "Iron Man" and comic guys like myself have for the Marvel Universe in general (was that Captain America's shield? Thor's hammer? Neat-o).

I can watch Downey do just about anything, especially when he's turned loose to turn on the charm and crack-wise while clearly hiding some self-loathing and inner turmoil. I can't think of many performers better at that combination and he's in fine form, as well as in great physical shape, here. But it just isn't enough to hold together an entire movie without a clear cut, well-defined and compelling story.

The confusion doled out in the meandering and exhausting middle section of "Iron Man 2" is largely thanks to the all-too-familiar superhero sequel problem of too many half-baked plot lines, vague motivations and a house party full of minor characters who make us geeks "ooh" and "ah" by their mere inclusion but who are so underdeveloped that only the truest of the true will give a rat's ass about what happens to them.

Case in point: both Whiplash, played by the excellent Mickey Rourke (who still has the guy from "9½ Weeks" buried somewhere in his very interesting face), and Black Widow (the surprisingly athletic and of course unsurprisingly hot Scarlett Johansson) are in this movie, but I don't think either of those code names are ever even spoken.

If you didn't catch the end credits sequence in the first one, let alone the first movie in general, you'll have no idea who the hell Sam Jackson is playing and what exactly he's doing. His SHIELD sidekick, played by Clark Gregg, is cool and funny and all, but utterly pointless. (Wondering what SHIELD is? Too bad. You'll have to Netflix the first movie or pickup a comic book. It's not like "Empire Strikes Back" told us anything about The Force, right? Wait, it did).

In fact, most of the characters in this movie have no business being here as they only distract from Iron Man. I root hard for these movies to succeed and I revel in the inclusion of so many nods to the mythos, but driving home from the theater I had to accept how undercooked and overly cluttered "Iron Man 2" ended up.

My friend Dave Quiggle, who saw the movie with me, pointed out how similar the Stark / Whiplash story is to "Rocky III." Stark is on top of the world, flashy, arrogant in the movie's beginning, while a sinister street level villain plots against him in the shadows and takes him down in a very public way... Should "Iron Man 2" make us think about "Rocky III" while we're watching it? Ah, Clubber Lang. We hardly knew ya'.

One last thing I have to mention: the first time we see Sam Jackson and Scarlett Johannson in full costume, they are sitting in a donut shop (also one of LA's best known landmarks; maybe not the place for clandestine agents to have a meeting) with Downey, in full armor. It's instantly reminiscent of "Pulp Fiction" to see Jackson speaking bad-mother-effer-ese in a restaurant booth.

Not only does this scene pull you right out of the movie and remind you that you're watching actors dressed up in crazy get-ups, it also reminds you that "Iron Man 2" is nowhere near as good as "Pulp Fiction." With this cast bringing their A-game, an enthusiastic director like Favreau at the helm and audiences more accepting than ever of the Marvel Universe, it should have been.